{"id":10134,"date":"2020-07-09T18:05:12","date_gmt":"2020-07-09T16:05:12","guid":{"rendered":"https:\/\/diploma2020.ecolecamondo.fr\/sujet-impose\/la-musique-et-lart-de-jean-michel-basquiat-15\/"},"modified":"2020-10-22T12:49:53","modified_gmt":"2020-10-22T10:49:53","slug":"connecting-image-and-sound-art-and-music","status":"publish","type":"subject-imposed","link":"https:\/\/diploma2020.ecolecamondo.fr\/en\/sujet-impose\/lina-caridade\/connecting-image-and-sound-art-and-music\/","title":{"rendered":"Connecting Image and Sound: Art and Music"},"content":{"rendered":"
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L’IMPLANTATION<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Nous avons voulu une exposition qui soit dirig\u00e9e, par de longs couloirs tr\u00e8s droits, accompagn\u00e9s d’espaces immersifs rond repr\u00e9sentant des espaces de pause dans le parcours, mais \u00e9galement des espaces interactifs ou le visiteur choisi ce qu’il souhaite regarder de mani\u00e8re ludique.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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LES MOYENS\r\n<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Un rapport d’\u00e9chelle d\u00e8s l’entrer en conceptualisant la rue, un jeu de volumes jouant sur la superposition reprenant l’id\u00e9e de collage de Basquiat, des espaces “couloir” tr\u00e8s droits m\u00ealer \u00e0 des courbes plus douces faisant office d’espaces immersifs, ainsi qu’une ambiance noire et blanche.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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L’EXPOSITION<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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ESPACE 1 – La performance et la musique de NY<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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On retrouve d\u00e8s l’entrer, ce rapport d’\u00e9chelle par cette double lecture horizontale notamment d\u00fb \u00e0 la hauteur sous plafond, un espace de projection diffusant des extraits de Downtown 81, un espace de rencontre ainsi qu’un espace immersif projetant en boucle des vid\u00e9os de ces fameuses soir\u00e9es.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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ESPACE 2 – Visualiser le son, sound syst\u00e8me et discographie<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Nous avons voulu exploiter ces espaces immersifs dans leurs parties ext\u00e9rieures en projetant des zooms des \u0153uvres de basquiat expos\u00e9e dans cet espace afin d’apporter le plus d’informations. En fin d’espace, nous aurons une projection de basquiat en train de peindre tout en \u00e9coutant de la musique.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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ESPACE 3 – Griot et Jazzmen<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Nous aurons dans cet espace, une composition spatiale telle une partition de musique par un long couloir perturb\u00e9 visuellement et physiquement par de longues cimaises se r\u00e9f\u00e9rant \u00e0 ses combats pour faire rentrer l’homme noir dans cette Am\u00e9rique raciste.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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ESPACE 4 – La vie apr\u00e8s la mort<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Fin d’exposition qui a pour but de montrer l’influence qu’a pu avoir Basquiat, \u00e0 la suite de son d\u00e9c\u00e8s. Une influence que l’on retrouve dans l’art, la mode ainsi que la publicit\u00e9.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Une exposition jouant sur une composition d’espace noir et blanche \u00e9clair\u00e9e par un \u00e9clairage artificiel color\u00e9e qui varie selon les espaces afin de symboliser le th\u00e8me de celui-ci. En fin d’exposition, nous aurons un appel de lumi\u00e8re afin de ramener le visiteur \u00e0 la r\u00e9alit\u00e9. <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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