{"id":10072,"date":"2020-07-09T17:56:59","date_gmt":"2020-07-09T15:56:59","guid":{"rendered":"https:\/\/diploma2020.ecolecamondo.fr\/memoire\/reveler-larchitecture\/"},"modified":"2020-10-20T19:44:53","modified_gmt":"2020-10-20T17:44:53","slug":"revealing-architecture","status":"publish","type":"dissertation","link":"https:\/\/diploma2020.ecolecamondo.fr\/en\/memoire\/lina-caridade\/revealing-architecture\/","title":{"rendered":"Revealing architecture"},"content":{"rendered":"
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LE POINT DE D\u00c9PART <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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La d\u00e9couverte du Mus\u00e9e Juif de Berlin de Daniel Libeskind, a \u00e9t\u00e9 pour moi, l\u2019\u00e9l\u00e9ment d\u00e9clencheur d\u2019une nouvelle r\u00e9flexion architectural, permettant de me poser de nouvelles questions et de voir autrement l\u2019espace architectural.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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J\u2019ai v\u00e9cu, dans ce mus\u00e9e, une exp\u00e9rience physique, \u00e9motionnelle ainsi que culturel totalement \u00e0 l\u2019oppos\u00e9 de ce que l\u2019on retrouve dans un mus\u00e9e. Ce b\u00e2timent particulier par sa forme, mais aussi par sa conception spatiale, qu\u2019il plaise ou non, permet de vivre quelque chose de tr\u00e8s fort. <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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LE SACR\u00c9<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Ce terme de sacr\u00e9 \u00e9tait pour moi, tout d’abord lier au religieux amenant au recueillement, au partage, au respect ainsi qu’au silence poss\u00e9dant ce rapport \u00e0 la divinit\u00e9, traitant des espaces vides, mais qui sont remplis d’\u00e9motion due \u00e0 la mat\u00e9rialit\u00e9.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Jean Nouvel – Institue du Monde arabe<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Mais certaines architectures reprennent ces principes et arrivent \u00e0 cr\u00e9er cette notion de sacr\u00e9 sans pour autant \u00eatre li\u00e9 au religieux. Ils font ainsi appel \u00e0 la perception et engagent tous nos sens, permettant de vivre une exp\u00e9rience totale, nous permettant de voir, comprendre et lire autrement. <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Fran\u00e7ois Pinault – Bourse de Commerce<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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LES GRANDES PARTIES<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Je vais traiter dans mon m\u00e9moire, les diff\u00e9rents aspects et proc\u00e9d\u00e9s mis en place dans une architecture qui ont toujours exist\u00e9, mais qui dans certains cas, sont trait\u00e9s de diff\u00e9rentes mani\u00e8res provoquant ainsi l\u2019int\u00e9r\u00eat du visiteur.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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La strat\u00e9gie d’implantation\r\n<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Nakamura & NAP –\u00a0la Sayama Forest Chapel<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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La forme symbolique <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Takeshi Hosaka – Shonan Christ Church<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Le rapport ext\u00e9rieur\/int\u00e9rieur<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Tadao Ando – Mus\u00e9e d\u2019art chichu<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Le passage <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Tadao Ando\u00a0– M\u00e9ditation space<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Engager les sens<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Peter Zumthor – Feld Kapelle<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Les ouvertures <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Tadao Ando\u00a0– Church of light<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Le vide <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Tadao Ando\u00a0– M\u00e9ditation space<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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CONCLUSION<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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La suite, serait ainsi de continuer cette r\u00e9flexion pour mon sujet libre, en reprenant 4 notions importantes pour moi et que j’aimerais traiter dans ce dernier projet.<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Le rapport au temps<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Tadao Ando\u00a0– M\u00e9ditation space<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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Rapport \u00e0 la nature <\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Nakamura & NAP – La Sayama Forest Chapel<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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La sensibilit\u00e9 des mat\u00e9riaux et les ouvertures<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Peter Zumthor – Feld Kapelle<\/p>\n<\/figcaption>\n <\/article>\n\n\n

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