{"id":10070,"date":"2020-07-09T23:34:13","date_gmt":"2020-07-09T21:34:13","guid":{"rendered":"https:\/\/diploma2020.ecolecamondo.fr\/memoire\/beyrouth-catharsis\/"},"modified":"2020-10-20T19:20:15","modified_gmt":"2020-10-20T17:20:15","slug":"beyrouth-catharsis","status":"publish","type":"dissertation","link":"https:\/\/diploma2020.ecolecamondo.fr\/en\/memoire\/yara-labaky\/beyrouth-catharsis\/","title":{"rendered":"Beyrouth Catharsis"},"content":{"rendered":"
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\u00ab Le Liban flotte entre l\u2019image de ce qu\u2019il n\u2019est plus et\r\nl\u2019image de ce qu\u2019il n\u2019est pas. \u00bb\r\nMonique Bellan<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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Photographies\u00a0<\/strong>prises pendant la guerre civile libanaise, 1975<\/em><\/p>\n<\/figcaption>\n <\/article>\n\n\n

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\u00ab L\u2019art produit tandis que la guerre d\u00e9truit. Le processus\r\nartistique se nourrit ainsi de la guerre. \u00bb\r\nMonique Bellan<\/p>\n <\/div>\n <\/div>\n<\/article>\n\n\n

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File Type A<\/strong>, Walid Raad, The Atlas Group<\/em><\/p>\n<\/figcaption>\n <\/article>\n\n\n

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\n \n \n \n <\/svg>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/article>\n","protected":false},"author":72,"template":"","class_list":["post-10070","dissertation","type-dissertation","status-publish","hentry","keywords-heritage","keywords-public-spaces","keywords-restoration","teachers_list_1-aurelien-lemonier-en"],"acf":[],"yoast_head":"\nBeyrouth Catharsis - Diploma Camondo \u00e9dition 2020<\/title>\n\n\n\n\n\n\n\n\n\n