{"id":10064,"date":"2020-07-10T10:58:14","date_gmt":"2020-07-10T08:58:14","guid":{"rendered":"https:\/\/diploma2020.ecolecamondo.fr\/memoire\/la-choregraphie-du-quotidien\/"},"modified":"2020-10-20T18:24:51","modified_gmt":"2020-10-20T16:24:51","slug":"the-choreography-of-daily-life","status":"publish","type":"dissertation","link":"https:\/\/diploma2020.ecolecamondo.fr\/en\/memoire\/victoria-barnini\/the-choreography-of-daily-life\/","title":{"rendered":"The choreography of daily life"},"content":{"rendered":"<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">\u00ab\u00c9coute ton corps pour \u00eatre au plus proche de ton environnement et ne faire qu\u2019un avec celui-ci\u00bb\r\n\r\n<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"media-pdf bloc\">\n    <div class=\"media-pdf__content type-pdf\">\n        <div class=\"media-pdf__container\">\n            <div class=\"_df_book\" height=\"500\" source=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/memore-barnn-victoria-pages.pdf\">\n                <div class=\"cursor\">\n    <div class=\"cursor__more\"><\/div>\n    <div class=\"cursor__hexagon\">\n        <svg width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n        <path class=\"path-main\" d=\"M2.83975 6.28867L11 1.57735L19.1603 6.28867V15.7113L11 20.4227L2.83975 15.7113V6.28867Z\" fill=\"black\" stroke=\"black\"\/>\n        <path class=\"path-second\" d=\"M1.97372 5.78867L11 0.57735L20.0263 5.78867V16.2113L11 21.4227L1.97372 16.2113V5.78867Z\" stroke=\"white\"\/>\n        <\/svg>\n    <\/div>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">Comment faire corps avec son environnement ?<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">I \/ DANSE, CORPS ENVIRONNEMENT &#038; INDIVIDUATION<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">Le mouvement de danse  appel\u00e9 le \u00abJUSTIN DANCE THEATER\u00bb fit de la vie quotidienne son outil de danse et en modifia les postures assimil\u00e9es \u00e0 des mouvements \u00e9l\u00e9mentaires de notre quotidien \u00e9tablissant une rupture avec le monde classique de la danse. <\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"img-fullscreen bloc\">\n    <div class=\"img-fullscreen__content type-image\">\n        <a href=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/recadrage-justn-dance-theater-2.gif\" class=\"img-fullscreen__wrapper type-block function-lightbox\">\n            <img class=\"img-fullscreen__img img-responsive lazy\" data-src=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/recadrage-justn-dance-theater-2.gif\" data-height=\"658\" data-width=\"900\" alt=\"\">\n        <\/a>\n    <\/div>\n    <\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">II \/ ARCHITECTURE, CORPS, ENVIRRONEMENTS &#038; INDIVIDUATION<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">Selon Benoit Goetz :\r\n\r\n \u00able geste est d\u2019abord une mani\u00e8re de prendre position dans une situation\u00bb et prendre position c\u2019est \u00ab souligner un certain mode d\u2019existence.\u00bb  \r\n<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">III \/ DANSE, ARCHITECTURE &#038; PROCESSUS<\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">Pour Gins et Arakawa : \r\n\r\n\u00abla personne n\u2019est pas une donn\u00e9e ou un cr\u00e9\u00e9, c\u2019est le r\u00e9sultat d\u2019un processus,et c\u2019est le processus lui-m\u00eame.\u00bb  <\/p>\n        <\/div>\n    <\/div>\n<\/article>\n\n\n<article class=\"img-fullscreen bloc\">\n    <div class=\"img-fullscreen__content type-image\">\n        <a href=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/pdf-slde-2.gif\" class=\"img-fullscreen__wrapper type-block function-lightbox\">\n            <img class=\"img-fullscreen__img img-responsive lazy\" data-src=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/pdf-slde-2.gif\" data-height=\"550\" data-width=\"900\" alt=\"\">\n        <\/a>\n    <\/div>\n    <\/article>\n\n\n<article class=\"img-fullscreen bloc\">\n    <div class=\"img-fullscreen__content type-image\">\n        <a href=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/pdf-slde-4.gif\" class=\"img-fullscreen__wrapper type-block function-lightbox\">\n            <img class=\"img-fullscreen__img img-responsive lazy\" data-src=\"https:\/\/diploma2020.ecolecamondo.fr\/content\/uploads\/2020\/07\/pdf-slde-4.gif\" data-height=\"550\" data-width=\"900\" alt=\"\">\n        <\/a>\n    <\/div>\n    <\/article>\n\n\n<article class=\"text-highlighted bloc\">\n    <div class=\"text-highlighted__content type-text style-border-top-bottom\">\n        <div class=\"text-highlighted__wrapper\">\n            <p class=\"text-highlighted__text p-highlighted\">Selon Gins et Arakawa : \u00abc\u2019est dans un environnement architectural qu\u2019un corps devient une personne.\u00bb  <\/p>\n        <\/div>\n    <\/div>\n<\/article>\n","protected":false},"author":85,"template":"","class_list":["post-10064","dissertation","type-dissertation","status-publish","hentry","keywords-artistic-field","keywords-performing-arts","keywords-private-spaces","keywords-research-approach","teachers_list_1-carola-moujan-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The choreography of daily life - Diploma Camondo \u00e9dition 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2020.ecolecamondo.fr\/en\/memoire\/victoria-barnini\/the-choreography-of-daily-life\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The choreography of daily life - Diploma Camondo \u00e9dition 2020\" 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